![]() ![]() ![]() must have needed to keep the camera hidden for much of the shoot. Lucas Lee Graham’s luminous cinematography manages to put the viewer in a trance, despite the fact that the d.p. Plus, there’s a mysterious “cat flu” going around, and eventually the hapless patriarch is abducted as part of the Siemens corporation’s nefarious experiments in mind control.Īmazingly, “Escape From Tomorrow” steers clear of full-on camp, its vision of Americana’s underbelly being enjoyably ridiculous but also brazenly unwholesome and disturbing. But that doesn’t explain the middle-aged sexpot (Alison Lees-Taylor) who seduces Jim with the help of her trippy heirloom pendant. At first, his warped funhouse hallucinations seem attributable merely to sunstroke and too much time on Big Thunder Mountain Railroad. ![]() White may be a creep, fixated on the sight of French girls (Danielle Safady, Annet Mahendru) sharing a banana, yet it’s hard to say he deserves the waking nightmare that ensues. To him, the Epcot Center globe resembles a “giant testicle,” and his son’s obsession with the Buzz Lightyear ride is a burden. Equal parts victim and villain, the man of “Tomorrow,” Jim White (Roy Abramsohn), is a pudgy, horny, jobless shlub who, strolling the park with his wife (Elena Schuber) and kids (Katelynn Rodriguez, Jack Dalton), leers at teenage girls and drinks like a lush. Moore’s ingenious decision to shoot in black-and-white not only strips the Magic Kingdom of vitality from the get-go, but gives the pic an unmistakable kinship to ’50s and ’60s B-movie horror. ![]()
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